SADNESS
KEY CONCEPT: Of all the facial expressions, sadness is the most communicative at low levels of facial activity.
| Figure 1. Sad face expressed through subtle facial cues. Figure 2. Sad face bordering on grief. | It doesn't take much to look sad. Of all the emotions, sadness can be portrayed with the least facial movement. I found a particularly good photograph of slight sadness in a newspaper recently, and I decided it would make a great subject for this month's blog. The face of the young woman in Figure 1 is obviously sad, but the marks of sadness on her face are slight enough to be reckoned in movements of a fraction of an inch. She tugs at our heartstrings, but with so little actually going on! The woman in Figure 2, by contrast, has a face that is much more contorted in sorrow - the eyes, forehead, cheeks, mouth, and chin are all dramatically distorted and reconfigured; it's the way someone looks just short of weeping. It is hardly surprising, when comparing the emotional intensity of the two women, that 100% of test-takers agreed that the woman in Figure 2 appears more sad than Figure. 1. 100% results are not that uncommon with really strong expressions. Occasionally, however, subtle expressions can also receive unanimous results from test takers. Case in point, the unhappy woman in Figure 1 tested as clearly and unambiguously as her near-crying counterpart, with 50 out of 50 random participants agreeing she was sad. |
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